The Importance of Ballroom Dance Class

Dancing is an expression of oneself. Anyone can speak its mind through the rendition of a particular dance. The power of your body movements, the beat of the music, and the total impact on how it is expressed is really strong that a person watching you dance can be greatly affected also. That is if…

Dancing is an expression of oneself. Anyone can speak its mind through the rendition of a particular dance. The power of your body movements, the beat of the music, and the total impact on how it is expressed is really strong that a person watching you dance can be greatly affected also. That is if you can explicitly and gracefully show it through your body movement. This is where the importance of ballroom dance class comes in.

To be able to perform the right movement, one must learn the curves of subjective physiological cues such as how to raise the arm, turning to the right, breaking apart and the coming back together of partners. The continuous flow of movement and the collaboration of each and every step you make must be harmoniously executed.

Remember that dancing is a physical language. It goes beyond the personal background, beliefs, and nationalities of each individual or partners. Learning how to do it is not just knowing the basic steps or even learning a more complex style. Dancing should come from your heart. One must learn how to love it and then substantially expressing it through body movement.

We must understand the reason behind our dancing. Do we want to know just the basic steps or are we dancing because we are really in love with it? To dance is to move, to be healed, to feel, and to express one's emotions. People dance to learn and be able to teach at the same time. Anyone can dance to any music, or even to silence and noise, or even to the beat of your heart. That is the wonder of dancing. We can dance according to our emotions and feelings. We can live in dreams through our dances. We can even do any step that pops up in our mind. There's no right and wrong.

However, combining both grace and steps requires a sound and effective schooling. If you are looking beyond just simple dancing, it is important to have someone teach you how to achieve all that. Grace is a natural talent but it can be improved through techniques and proper rendition of a particular dance step especially when it comes to ballroom dancing. Having someone to teach you, is a compelling and stimulating factor to ignite your passion and most of all introduce you to greater opportunities.

Joining ballroom dance class is a positive and sure way of enhancing the talent within you. Plus the chance of getting involved in other dancing activities that may give you more exposure to greater opportunities than just being able to dance.

Salsa Dancing DVDs – 3 Tips To Find The Right DVD

I bet there are lots of questions you have before buying a Salsa Dancing DVD. Should I always question the company that I'm about to buy from? Will I understand how they teach? I can say from experience finding the right salsa dancing DVD is really hard. But if you follow my simple tips I…

I bet there are lots of questions you have before buying a Salsa Dancing DVD. Should I always question the company that I'm about to buy from? Will I understand how they teach? I can say from experience finding the right salsa dancing DVD is really hard. But if you follow my simple tips I know you'll be able to find one that's right for you!

Tip # 1 – Go to YouTube and see if there is a sample video of the Salsa Dancing DVD you are trying to buy. When you look at the video, see if you can really understand the way they are teaching. Also look for how fast the teachers are teaching and if you are actually learning the steps or if you are just feeling overwhelmed.

Sometimes teacher's may even have an accent that you just cant understand and that's a big red flag. You should never buy something you cant understand even if you think you might get use to it. Always make sure the DVD is perfect from the beginning so you'll be able to learn as much as possible.

Tip # 2- If there is no sample video on YouTube then I would suggest going to Google and see the comments people have written about the DVD you want to buy. Do not just go onto one website and think you done. No, go to many website and get as much info as you can about the company and the DVD. Now keep in mind you should not believe everything you read, so try and look around to get a feel of what people are saying and then come up with your own opinion.

Tip # 3 – Do actual research on the company through their website to see if they are legit and see if they have the right experience to be teaching. On the site look for key sections such as biographies of the teachers; see how long they have been dancing for, see where they have taught and see how many styles of dance they know and are educated on.

While you are on the site, do as much research as you can. Try to find testimonials, and how long the company has been in business. Look for information about the teachers and there education and experience. Look for everything that makes you feel that they are the best people to buy from. But most importantly, make sure that you feel excited to want to learn from the DVD you want to buy, because that's the important part.

Four Best Reasons Why You Should Buy Tickets Online

The internet is indeed a wonderful thing. It has greatly altered how business is done and all of it for the better. Because of the internet, you can now buy and sell your products from the comfort of your home. From books, shoes, shirts- everything you can think of can be transacted online. Buying tickets…

The internet is indeed a wonderful thing. It has greatly altered how business is done and all of it for the better. Because of the internet, you can now buy and sell your products from the comfort of your home. From books, shoes, shirts- everything you can think of can be transacted online.

Buying tickets is no exception. Gone are the days of standing in line for hours just to wait for your turn in a ticket outlet. All you will need nowdays is a computer and an internet connection when you want to buy tickets.

Let's say you've been looking for cheap concert tickets to a Lady Gaga or Justin Bieber concert. Or perhaps you're planning to surprise your husband with sports tickets to the NBA playoffs or the NFL. All you need to do is search the internet for online ticket websites, find the right ticket and once you do, you can actually purchase the ticket right there and then. With just a few clicks of your mouse and your credit card number, you're all set!

Can you believe how much time and energy you have just saved? Or how convenient it is? Yes it is amazing. But that's not all. Buying tickets online actually has many more advantages. Here are the top four:

1. Online Ticket websites are always open- That's right, you can now buy concert tickets or discount Broadway tickets anytime you want. Whatever time is convenient for you is okay because these websites are available twenty- four hours a day, seven days a week.

2. You can choose where exactly you want to be listed- Most ticket websites have an interactive seating chart which allows you to view the venue itself, show all the seats and their corresponding ticket prices and which seats are already taken. This means you can decide for yourself which is the best seat for you.

3. You can buy tickets anywhere in the world- That John Mellencamp concert at Hersheypark Stadium is just two days from now but you're still in Hong Kong on a business trip and there's no seat available for you. Never fear, online ticketing is here! Because buying tickets online is web-based, it will not matter where you are in the world as long as you have a computer and an internet connection.

4. Comparating ticket prices has never been this easy- Such an arduous task, comparing ticket prices used to take up a lot of your time and energy by going to one ticket outlet to the next. But all of that can be avoided right now. Just by surfing various online websites, you will now be able to find that discount concert ticket or discount Broadway ticket you've been looking for in just a couple of minutes. Best ticket prices in just a few minutes. Now that's convenient!

Going to events such as concerts, theater or sports is not only fun but essential to your well-being as well. It relieves the pressure caused by work and everyday life. With the help of online ticket websites, these relaxing pastimes are made much more accessible to you.

You Were Not Put on This Earth to Fail

It all started a long long time ago when we were just beginning to get a glimpse of who we were and who we were about to become. It was one of those moments that made time stand still. I was there and I believe you were there as well. In fact I know I…

It all started a long long time ago when we were just beginning to get a glimpse of who we were and who we were about to become. It was one of those moments that made time stand still. I was there and I believe you were there as well. In fact I know I saw your smile across the sea of ​​faces. Your eyes were huge with awe and anticipation. Surely you recall, it was the day the gifts were passed out.

I saw dancers receive their rhythm and the singers their velvet voice. The artists acquainted their gift of sight to see that which was not even imagined yet! The writers accepted a deposit of rhyming words, adjectives, antonyms, and verbs! Oh what a day this was through out the universe!

People were being equipped with the blueprints of who they were and all that they were to be. They apprehended times, dates, and destinies! There was a celestial celebration for all who were in attendance. Each soul knew only they could carry out their mission with the unique finesse they possessed. There was no competition only completion. They knew the value of their gift and with great elation received it to be cherished and developed. No one ever imagined that their gift would be placed upon a shelf for that act in itself would bring great darkness to the earth and grave to the Gift Giver.

I can not tell you the exact date the day of darkness fell, for that day was not the same for all. It appeared there was an architect of this terrible time. I know I saw him slither in and out of the community. He actually seemed to know some of the souls already. He had covered them with his fraudulent fragrance of pity and they seemed to have a relationship with him that was one of submission. How this had dispired I could only guess, for it seemed to have been brewing for awhile.

One time I did see the weapon he held below his cloak of heaviness. He branded it proudly whenever he came upon an unsuspecting soul. When he wielded this weapon the victim did not draw back from the armament but instead they took it into their hands and pulled it toward themselves as if they had been expecting this encounter all along! The ammunition they held with reverence as if they valued it more than the gift they had been given long ago. This weapon there of I speak was his calling card and inscribed upon it one word only: FEAR.

Once the unsuspecting soul had taken his card, he had access to them in the night time hours and whispered thoughts of inadequacy, doom and defeat. He ever got them to take their gift and lay it on his altar of neglect. No longer would the once ambitious soul dance, sing, create, write or even recall that day they were commissioned to inspire the earth.

How had this visitor of darkness won so easily? By all appearances he had lured the souls to give up their gift and in doing so they had surrendered their destiny. They could not even retrieve from their memory the words The Gift Giver had delivered to each of them: “You were not put on this earth to fail”!

Has the future of the planet been compromised? Why have so many creative geniuses hidden themselves and tucked their work away in the attic? Why is their gift laying dormant when all of creation is waiting to see, hear and feel the message only they can not take the way they were designed to deliver?

The predawn hours of the day are beckoning you to write! The changes of the seasons are pleading for your art! The political unrest is demanding for an uprising of expression! Why do you sit in fear and not let your voice be heard? The visitor of darkness has tricked you. You have set your revolver of revolution!

Take up your gift! The dread will dissipate as you dance. The worry will weakened as you write! The pressure will pale as you perform! You were born for such a time as this. Come forth free of intimidation. The Gift Giver has not forgotten you. You have everything you need to succeed. The only way you can fail is if you give up.

Voice Over Agents

Getting a voice over agent is not like winning the lottery. It does not mean that you suddenly are special, famous, better than anyone else, rich, going to earn a living, going to get jobs or going to go heaven. Oddly enough, the same applies to having a voice over page, but they both help…

Getting a voice over agent is not like winning the lottery. It does not mean that you suddenly are special, famous, better than anyone else, rich, going to earn a living, going to get jobs or going to go heaven. Oddly enough, the same applies to having a voice over page, but they both help … a hell of a lot!

There are good agents and bad agents, there are honest agents who have built up large businesses through toil and turmoil and those that have stolen contacts whilst on a payroll and started up on their own, there are those that say they are agents and are not , those that say they are not and are, and of course those who use their fame, position or profile. All of them will help.

Some of them will welcome you having a voice over page elsewhere with their number and email on it, some of them will not. In fairness you have not really got much choice. It's damn hard to get an agent, let alone a decent one, so you will have to do what they say, even if it is unlawfully obstructive or involves you changing your name to something daft.

The oldest agents are the best in our experience, they have seen it all, they were often the starting place for many of today's “offshoot agents” ie those that place contacts then set up on their own. You can easily find out some of the older agents by checking on on house houses and looking up how long they have been trading. The oldest agents tend to be best as they are the most experienced and invariably have the most influence with the companies they supply voices to; but the older and more established the voice over agent the longer the waiting list is.

We have conducted certain research into voice over agents and there are some serious companies in operation. Hobson's for instance is one of the most highly regarded and most difficult to register with agents in the UK, at our last check, they were too the ones doing the most business.

In our research we have also found that you might be in for a rocky ride dealing with some of them. Some are obnoxious, and seem to be incredible that you dare apply to be on their books. Some are warm and professional and have a rejection policy that is fair, kind and polite. If you ask around and look carefully for reactions you will get to know who is nice and who is not but be prepared to be insulted. The aforementioned company is not one of those companies by the way.

Smart talent find a way to do both or as much as they can, in that they have an agent who covers large significant types of jobs and allow personal voice over pages feed smaller jobs to them or to generally feed work to their agent. It's not that agents do not bother with small monies, but that they have larger borrowers budgets and overheads.

Invariably though one thing is for sure and that is, agents will not handle smaller equity based fee jobs very often and your own personal page will not handle huge TVR repeat type jobs very often.

Having an agent is a great thing but, it has no guarantees; some agents have hundreds of voice over artists on their books not working. This is mainly due to the fact that there are so many agents nowdays. You might even find yourself working for years to get accepted by an agent but still finding out that all your hard work has mounted to nothing.

Agents make their money based upon responsibilities, and they have very high overheads. They have to have posh show off offices in Soho, pay salaries to the people “working the phones” and have to have lots of lunches with people. They work very hard to make their money and even harder to get a reputation from clients, this means you have to be realistic about how they operate. Are they going to use valuable time equity resources to promote you or the person that already brings them £ 100,000 a year in commission? This is not to put you off, but to educate you into managing your expectations and of course your ego.

It really is not all that having one, but you can get great jobs from if you do.

Rhubarb are another example of a voice over agent who have been around a very long time, they are very smart and efficient. From our research Rhubarb and Hobson's are among the leaders alongside Rabbit, Yakkety Yak and Lip Service. Without disclosure it would be unfair to “chart” these companies in terms of their artist numbers or revenue, but a calculation between gross revenue and the number of artists might give you a vague idea on your percentage likely hood of work, but it would be very crude.

Sure there are lots of other agents but we omitted the ones that have been rude bitchy or cruel to our artists or us. Do not be disheartened though, although some are, they get you work and that is all that matters.

Voice over agents do change their talent, and the good ones do have listening sessions, this is the good news, the bad news is, if they have someone who they think sounds a bit like you, you will not get a look in. So step one is have something genuinely unique to offer.

Voice over agents also know what makes a good demo so get one and get it in to them, note your application should illustrate that you are aware you may be on pause until their next listening session. You could for instance word an email or note to say.

“I have listened to all your voices and still feel I have something unique to add. Would it be ok to request my demo illustrating this is added to the next time you do a listening session or a refresh?”

If you want to do a demo, a cheap option is to ask a producer to help you edit, record or cut a demo with you for a “freelance fee” alternatively you could contact a company who might do the whole thing for you.

It's also useful to remember that voice agents get about 50 demos a week but if you are unique you will still have a chance. Tenacity is the next piece of advice, being an annoying pest is not. There is a thin line. Treat agents with respect. At best you can hope for a rejection or a date when they may have a listening session. Pick your chase up times carefully and note that it's probably not wise to ring. Yes sales books and seminars will tell you to call, talk to people, sell yourself, push, turn up; but we think that is a tacky and sure fire way to land yourself in the pest bin. British people hate being sold to, especially those that think they are at the center of the universe in Soho or those that are losing money whilst listening to you beg. Keep it formal, business like and intelligent. Sending agents chocolates or yellow pretty bows on CD's will not help.

Make sure you are aware of the above, have something truly unique, and be prepared to enter the most competitive world in the Arts.

The Dos and Don’ts of Dressing Up For Movie Premiers

Summer time is movie time, and this Summer has great promise filled with pirates, Potters, and superheroes! Any self-respecting movie-goer knows that if it's a major movie, you not only go to its midnight premier, but you go in costume for it as well. But in all the enthusiasm of dressing up, there are a…

Summer time is movie time, and this Summer has great promise filled with pirates, Potters, and superheroes! Any self-respecting movie-goer knows that if it's a major movie, you not only go to its midnight premier, but you go in costume for it as well. But in all the enthusiasm of dressing up, there are a few things to remember. Here are the dos and don'ts of wearing costumes to movies.

Do: Find your costume ahead of time. Like, at least a month ahead of time. Thirty days out is when businesses start looking for their costumes, especially if they plan on representing them at a popular theater for the midnight premier. So needless to say, because they come in so early (and usually have a little more dough), they tend to snatch up the best costumes while the rest of the community is only vaguely thinking about what they want to wear.

Do: Call up major theaters and ask if they'll be doing any costume promotions for the event, and if they are, ask if you can be part of it. Many theaters rent costumes to spruce up the festivals, but lack an actor to fill them. If you're willing to wander around dressed as the faculty of Hogwarts with a few of your friends, they just might give you free tickets to the show for doing so.

Do not: think high. Remember that these midnight premiers are crowded with hundreds of patrons selling out multiple theaters, and theater seats are not exactly lounge chairs. You need to take the rest of the movie-goers into consideration and avoid tall hats and wigs, as well as anything wide or super cumbersome.

Do not: say to yourself, “Oh, it's okay, I'll wear those Marie Antoinette style panniers and just take them off right before the movie starts.” Trust me, you will not. Same goes with aforementioned tall hats and wigs. Not only will you not want to lose your place in line to put whatever it is in your car, but you'll probably be too much fun to keep track of time and before you know it the theater is seating and ohmygoodness you forgot to take off those blasted panniers that are so big they'll fill two seats to either side of you.

Do: Be creative. In example, when the seventh Harry Potter movie came out, at the midnight premier I attended there were about fifty Hermiones and two Bellatrixes and that was it. Where were the Prof.McGonagalls? The Madame Trelawneys, the Rita Skeeters, the Fleur De la Cours? All of what had awesome costumes that would have fun to recreate, but alas, they remained un-thought of. If you want to be unique, just call up your local costume shop and they'll be happy to brainstorm character ideas, then help you figure out how to achieve it.

Do not: forget to shower beforehand. You'll probably have already been up since since eight morning, and you'll still be up at three the next morning when the movie ends, spending much of that time in a hot and sweaty costume. Do us all a favor and shower before you go, start the movie fresh.

Do: Remember to stay comfortable. You'll be in your costume a long time, and nothing will spoil an evening faster than being uncomfortable.

And one final thought from one who manages a costume rental department ….

Do: If you rent a costume, remember that you're renting a costume. And wearing it to a theater. A theater which probably has mass amounts of greasy and sticky food that is begging to stain something, anything, and there are people who are not paying attention to said food. It's perfectly reasonable to rent a costume for a movie theater, just please … be careful.

The Bushfire Festival of Swaziland: Social Responsibility Standing Firm

Like an annual Woodstock in the bush, the Bushfire Festival in the Kingdom of Swaziland, South Africa, brings together a broad spectrum of artists and musicians for a three-day festival of creative celebration devoted to the support of socially responsible charities and foundations. Between 15,000 and 20,000 people gather to eat, celebrate, and watch the…

Like an annual Woodstock in the bush, the Bushfire Festival in the Kingdom of Swaziland, South Africa, brings together a broad spectrum of artists and musicians for a three-day festival of creative celebration devoted to the support of socially responsible charities and foundations. Between 15,000 and 20,000 people gather to eat, celebrate, and watch the varied offerings of these international performers that vary in genre from local folk artists to pop and hip-hop stars to the Yale University Concert Band. Major recipients of the Bushfire procedures include Young Heroes, an organization that provides support to orphaned children, and Gone Rural boMake, an organization devoted to assisting the rural women of Africa with their education, health, and social needs.

On top of this, the Bushfire Festival is aggressive about providing opportunities for young people and creative adults to develop their artistic skills. The 100% Seriously Swazi programathers local talent from throughout Swaziland in a kind of American-Idol-style competition where winners get the chance to perform in the Bushfire Festival. The “Bushfire Schools Festival” also takes the creative energy of the larger festival out into the local schools, promoting artistic development in the broader community. Taken all together, the Bushfire Festival has clearly positioned itself as a major artistic event for the promotion of social responsibilities.

Just prior to the Bushfire Festival that took place in May of 2011, however, a large group of democracy activists from Swaziland began to question the socially responsible nature of the celebration. Their argument, as laid out by Richard Rooney, is that to hold this festival in the last authoritarian monarchy on the contributor sends the wrong message. Shortly before Mr. Rooney's report, democracy activists had been attacked by Swazi police with rubber bullets and tear gas, suggesting that Swaziland's current dictator is not receptive to the rumblings of democracy. To hold the Bushfire Festival would tend to promote Swaziland's king as a socially responsible leader, when they felt he was clearly not.

To the Bushfire Festival's credit, as well as that of the democracy activists in Swaziland, this issue was resolved shortly before the festival took place in May. On May 13, 2011 Louise Redvers reported that the boycott had been called off as a result of talks between the two organizations. While continuing to emphasize the need for democratic reform in Swaziland, the democratic activists also became public supporters of the benefits the Bushfire Festival provides for the poor and underprivileged. Accomplishing this change is yet another support for the idea that the Bushfire Festival is a true celebration of creativity that supports genuine social responsibility.

In a world where social responsibility is necessarily needed, but genuine altruism is a rarity, the Bushfire Festival stands out as a success. It is refreshing to know that there are people around the world willing to work for the benefit of those in need while supporting the artistic evolution of mankind.

Street Magicians Give Street Smarts a Whole New Meaning

What is street magic, you may ask? It's exactly what it sounds like. First, you need a city street, then you need a magician, then he needs to have a crowd gathered around him, then he needs to do magic. Now you have a street magician doing street magic. But the city is a busy…

What is street magic, you may ask? It's exactly what it sounds like. First, you need a city street, then you need a magician, then he needs to have a crowd gathered around him, then he needs to do magic. Now you have a street magician doing street magic. But the city is a busy place and in order for a street magician to truly capture his audience's attention and keep it, he must perform at a reliably high caliber. Performers such as the UK's very own Dynamo, David Blaine and America's Chris Angel are all prime examples of magicians. At least that's how they got their start. Now they are telly celebs. They will make things appear, disappear, levitate all while playing their own pitch man; some even try to sell their goods to the spellbound crowd. And just like in New York City, coins and paper money tossed into a jar or a box are always welcome. Of course if it's Dynamo, David Blaine or Chris Angel, they need to be tossin 'some hard cash into my jar, OK?

Street magicians for hire

If you're trying to hire a street magician for a function, they want you to know that when you're looking for them, you may find them under 'close up magicians' rather than road magicians. David Blaine is actually most responsible for the term 'street magicians'. He made it fashionable in the late 1990s. Where would you want a road magician to perform? They can do balls, weddings, banquets, corporate events, trade shows and more. The draw of street magicians, for one, is their ability to use anything at their disposal to create magic. Things in your pocket, things in their pockets and things in the pocket of the guy that's across the room that no longer has it in his pocket … much to his surprise!

And this stuff is up close and personal. No fancy mirrors, no big black curtains, no knives sticking through boxes … this is right up in your face. And it is really amazing. I've been around long enough to know some of the secrets of magicians, illusionists, experts in sleight of hand and the lot. I'm not easily fooled and am even harder to amaze. But a good street magician can keep me entertained for hours. A good road magician will probably get a couple of bucks from me as I walk away.

London's Covent Garden and Southbank were not only popular with the early buskers passing around the hat to tourists after each performance but are still popular with the street magicians of today. The real, close up, no frills classic street magic has been in existence for literally centuries. Smaller magic tricks used to lead to bigger tricks … and the bigger the crow got, the bigger the tricks got. Several shows a day netted the early street magicians a meager living. These days, with the likes of the previously mentioned professional street magicians; apparently the sky's the limit.

And I bothered going to college!

Singing Essentials – Learn How to Sing

Are you an aspiring singer? Do you have what it takes to achieve that dream of becoming an amazing singer? Research indicates that the # 1 reason why most people do not feel confident about singing is because they've gone through a bad singing experience where they've been told to just stop because they did…

Are you an aspiring singer? Do you have what it takes to achieve that dream of becoming an amazing singer?

Research indicates that the # 1 reason why most people do not feel confident about singing is because they've gone through a bad singing experience where they've been told to just stop because they did not have the ability to sing well. But the question is: is that reason enough for you to give up on your dream?

People usually say that good singers have had their talent with them the moment they were born into this world. Although it's true that the ability to sing well is an innate talent for awesome singing performers, it does not mean that it's exclusive to those people only. It's something even normal people can acquire, but through constant practice, of course.

One of the most important things you should practice is learning to breathe from your diaphragm. Mastering this technique is a must for an aspiring singer since it covers a whole lot of stuff – from breath control, to maintaining note dynamics.

Learning to breathe from your diaphragm comes with a few easy steps to follow.

1. Inhale and exhale slowly. Doing this enables you to relax the muscles of your diaphragm, which is important for breath consistency.

2. When you exhale, never try to force your abdomen to contract. Allow it to naturally move inward so your diaphragm could continue to move normally.

3. Maintain a good posture – back straight, chin parallel to the ground, chest out. Slouching is an absolute NO in this exercise – or in any singing exercise for that matter. When you do not maintain a good and relaxed posture, you disallow air to flow freely within your body, preventing you from being at your best condition.

4. Exercise this technique before every warm-up or gig.

5. Look for an ideal place for practicing. Somewhere you think you will not be bothered by anything that does not concern your practice sessions.

Another important thing you should develop when you're singing is to drop your jaw when you're aiming for higher notes. It's important to open your mouth properly so you can have good enunciation. This is also in line with the “singing with your diaphragm” technique.

Mastering this technique is essential for learning more advanced singing techniques. All the greats have gone through this. Test yourself everyday by taking on tougher challenges, never give up. Remember: “The thing we call failure is not the falling down, it's the staying down.” – Mary Pickford.

The Pleasure of Performance

Performance art compresses an event in which a performer or group of performers have in a particular way for an audience. They may dance for them, sing for them, act or play musical instruments for them. Performance art is very entertaining and can range from a guy on a stage with nothing but a guitar,…

Performance art compresses an event in which a performer or group of performers have in a particular way for an audience. They may dance for them, sing for them, act or play musical instruments for them. Performance art is very entertaining and can range from a guy on a stage with nothing but a guitar, to a full on spectacle with beautiful sets, back-up dancers, or even fireworks. The setting of a performance is therefore of great importance to the way the audience experiences the show.

Dance:

Dance is a highly expressive way to tell a story or articulate an idea. Forms of dance such as ballet tend to tell classic stories of love and despair. However, contemporary ballet focuses much more on the music and movement. Contemporary ballet crosses over a lot with modern, jazz and hip hop dancing. Alvin Ailey American Dance Theater, is one of the most amazing contemporary dance companies in the world. They performed this past autumn at Sadler's Wells in London. Sadler's Wells is known for its bold collaborations with visual artists and musicians.

Opera:

Opera is a performance in which actors tell a story through song. The music is classical as are the stories. The sounds that come out of opera singers are monstrous – they can practically break glass. If you're interested in dramatic productions and powerful music than you might very well enjoy the opera, but it does tend to be something that people either love or hate. Opera theaters can be quite beautiful. Some well known ones around the world include, the Greek theater style opera house in Verona, Italy, the National Opera House in Paris, and the Hanoi Opera House in Vietnam.

Concerts:

There are a few things as raw and exciting as going to see a live concert. Everyone likes music, and going to see your favorite band perform in a big theater or out in a field somewhere outside of the city is an unparallel experience. It's one thing to listen to someone on the radio, but it's a whole other experience to be standing in a crowd of thousands of people in front of a stage, while the sweat of your favorite lead singer flies onto you. The bands you get to see live in your lifetime will always hold a special place in your heart, and the experiences you have at their concerts will be ones you'll always remember.

Being entertained by professionals is always a treat, however the type of performance is your thing or not.

Acting Colleges: 19 Acting Colleges to Consider

Going to one of the many acting colleges is something you are going to want to consider if you are very serious about getting in the entertainment field as an actor. There are many acting colleges you can consider and at times it can be very confusing to decide which one is the right fit…

Going to one of the many acting colleges is something you are going to want to consider if you are very serious about getting in the entertainment field as an actor. There are many acting colleges you can consider and at times it can be very confusing to decide which one is the right fit for you. There are short-term, intensive colleges and schools you can attend and there is long-term 4 year universities you can choose to consider.

These types of acting colleges can be found all over the country. They can be found in every corner of the nation. In fact, there is one near you I bet. That's right. Whether it is a community college or a large university, there is most likely a performing arts class near you that you can sign up for. Here is a list of some of the more popular acting colleges you will find in the US:

FSU / Asolo Conservatory for Actor Training – This is one of the best graduate theater programs in the country. This is one of those acting colleges that you want to attend if you are very serious about working on stage.

The Academy for Classical Acting – This place is located in Washington DC and is considered on of the best Shakespeare schools in the nation.

The American Academy of Dramatic Arts – AMDA, as it is known, is located in the Big Apple and includes a satellite school in Los Angeles. There is a who's who of graduates from this prestigious acting school.

Beverly Hills Playhouse Acting School – This acting school is run byamed acting coach Milton Katleas and is considered on the best long-term programs in Los Angeles.

Boston Conservatory: Music, Dance, Theater – If you live in the New England area and you are looking to get into the musical theater game, this is one of the acting colleges you should consider.

Boston University, School of Theater – Straight up, this place is top notch if you want to learn about theater, film, or TV in the New England area.

Carnegie Mellon School of Drama – Located in Pittsburgh, Carnegie Mellon is home to some outstanding bachelor's programs as well as a great summer time curriculum.

Chapman University: School of Film and Television – if you live in the Los Angeles area and you do not want to attend UCLA or USC, Chapman is an awesome alternative in terms of acting colleges.

EMAS: Los Angeles Acting Schoo l – The Elizabeth Mestnik Acting Studio is fast becoming one of the best places to study acting if you live in The Hollywood area.

Emerson College: Performing Arts – One more of the great acting colleges in the Boston area.

FSU: Film School – If you live in Florida you have to consider Florida State University. This is Burt Reynolds alma mater and he dumped a ton of money into this program. It is one of the best acting colleges in the south.

Illinois Theater Center Drama School – The Illinois Theater Center Drama School is located in Park Forest, Il and considered a great option if you just want to take a couple of classes. It is not a traditional acting college that offers a four-year program, but a great place to learn the craft.

The Juilliard School, Drama Division – This is it. It is he Holy Grail of art schools. Julliard and Yale are typically considered the top drama schools in the United States, if not the world.

Marymount Manhattan College: Theater Arts – You can earn a BFA in Acting or a BA in Theater Arts at this school and you will be living in the Big Apple. This is one of the great acting colleges to get started at.

Loyola Marymount University: School of Film and Television – Located in Playa Del Rey just south of Los Angeles, Loyola has the advantage of being in the Hollywood area and boasts many instructors working in the business.

Meisner Center Acting Training – Sanford Meisner is one of the most famous acting coahes of all time. This is one of his schools that he founded in Los Angeles.

California Institute of the Arts, School of Theater – This is another one of the good acting colleges that you will find in Los Angeles.

The New School for Drama – Have you ever watched the Actors Studio? This is the place. Learn where Tennessee Williams and Marlon Brando learned.

New York Film Academy – This place is located in Union Square in New York City. It offers intensive, short courses as well as longer term classes, typical of acting colleges.

The Best Tips For Acting

Acting is not everyone's mug of tea. Everybody knows that lots of tough work and zeal is needed to become successful in this field. However you can certainly reduce the burden by following some useful tips. Imagination is the key to acting. You want to fantasize, to act properly. You need to imagine and feel…

Acting is not everyone's mug of tea. Everybody knows that lots of tough work and zeal is needed to become successful in this field. However you can certainly reduce the burden by following some useful tips.

Imagination is the key to acting. You want to fantasize, to act properly. You need to imagine and feel the character and get under its skin to be in a position to do justice to it. You may be able to feel the guts of the personality to be in a position to portray it completely. For example, if you are to play the job of an acne martyr, you have got to feel the agitation and disappointment of a real suffering in spite of knowing that products like Exposed Acne Skin Care System are there to solve the problem.

Now you may find crowds of people who would suggest that imagination is an in-built quality and can not be bought but this is not so. By being more open to information and information, you can enhance your imagination. Read, travel, watch movies and plays, speak with strangers, indulge in activities and do whatever is required to discover other perspectives. Get to know your character before you play it. For instance it's good to visit a disability center, if you have got to play the job of a disabled.

When you're acting on a genuine stage, it's crucial to have a great voice. You've got to make yourself heard to the audience. Though this is not any way a top notch needed for Television or big screen, it's a must have for theater acts. You can push out your voice by employing your diaphragm and the muscle under your ribs. The voices that do not reach to all of the audience in the theater are of those individuals who talk in shallow breaths. You should practice in a massive room by speaking aloud. You will find for yourself how loud you are.

When we chat about talking, along the volume and the tone what matters is the diction. It must be crystal clear so that no one misinterprets. You can not afford to drop consonants, as we generally do in casual talks, while you are on a stage. Keep in mind that these consonants supply the much required support to your feelings while you are acting.

You should even go a step forward and learn to exaggerate the consonants initially. You might find it a tiny clumsy at first but continuing things will fall into line and you'll learn the art of speaking well. Perfection of speech is an indispensable trait needed for acting.

There are lots of players who throw in all of their energy at the start of a line. So, by the point they reach the end of the line, they're out of air. As a consequence, their initial words sound full of energy where as the last ones are complete unenthused. It's really important that you divide your energy evenly through your sentence. You manifestly do not want to stick to a particular kind of chatting, where you are excited at the beginning and down and low in the final analysis.

Utilize these suggestions and you are sure to bring out the actor in you.

Four Simple Steps to Acting Success

I do not know if anyone would argue with the statement, “Acting is a career”. If you want to answer about that, please post your disagreement below. For those who are still reading, the reason I point out that acting is a career is that maybe, just maybe it has something in common with other…

I do not know if anyone would argue with the statement, “Acting is a career”. If you want to answer about that, please post your disagreement below. For those who are still reading, the reason I point out that acting is a career is that maybe, just maybe it has something in common with other careers. The fact is if you look at the most successful people in the world, no matter what they do, they go through more or less the same steps before they can really be considered successful. Sometimes I would love to create a full blown course where all the steps and everything in between are contained but for now, I'll just give away the basic secrets …

The Four Basic Steps to Career Success are:

  1. Committing / Planning – if you do not have a target, you're not going to hit anything so it is critical to outline at least a basic plan so that you can get a sense of where you are at any given point in your quest . The planning stage is where you delineate the steps you will take in order to achieve your dreams. They should be clear, specific, and actionable.
  2. Training / Education – Once you know what you want to do, you have to learn how to do it. Find a training program that matches your personality and learning style and sign yourself up. While training, get involved in any industry events, activities you can to bring meaning and understanding to what you are learning.
  3. Apprenticeship – After completing your basic training, seek out employment in your chosen field. If you are an actor, this could mean doing student / indie films or it might mean interning at a casting office / production company.
  4. Continuing Education / Application – Now that you are ready to begin working, begin the application process. As an actor this means trying to get audits, representation, creating marketing materials and working those industry contacts. Now that you are considered a professional actor, continuing education is critical. This does not mean taking classes necessarily but gaining more and more knowledge of the process of film and TV production. The more you know, the more you can ensure your role contributes to the overall production, increasing the chances.

If you follow these simple steps, you can pretty much guarantee at least some level of success in your acting or any other career. The amount of success simply depends on how much work you put in.

Keep Hackting!

Acting Jobs – What’s the Difference Between Booking and Not Booking?

This Article takes a quick look at how to deal with the uncertainty of the booking process. We all audition and we all succeeded and we all fail. Unfortunately there is no formalized system of feedback set up for players so we walk out of a room either thinking that we did great … or…

This Article takes a quick look at how to deal with the uncertainty of the booking process.

We all audition and we all succeeded and we all fail. Unfortunately there is no formalized system of feedback set up for players so we walk out of a room either thinking that we did great … or not. What is more important is how we actually did and really we will never know how we actually did and what if anything we could have done to make things different. There are so many factors that determine a booking and most of them are out of our hands. What is the difference between a booking and just another audition?

Booking an acting job is always good news, but almost like winning the lottery so I do not make too much out of booking or not booking an acting job … but I did just book one. Actually it's a very significant film called Foxfire, based on a book by Joyce Carol Oates. It's often a popular book and she's a prolific writer. It was made before in 1996 with Angelina Jolie but not well received. This time 'round, it's already been predicted to appear at the Cannes Film Festival … so I'm looking at flights, haha.

So what did I do to book the job? Who the heck knows? I did what I always do … my best. I did not even book either of the jobs I was up for, so it's really a mystery in this case. That has happened twice to me already this year. I will say this, for the first audition I really worked on listening to the reader. In the past, I was very nervous about forgetting my lines and that is still my tension, but I practice being very relaxed when I rehearse and listening with my body and trying to not focus my gaze anywhere specifically, just letting my eyes go where they may and 'feeling' it. So I was pleased with the read, but you never know, right?

I actually did the audition for Foxfire back in February, so it took them four months or so to make up their minds … so under these conditions, you see why it makes sense to forget your auditions once they are over. I would have had a nervous breakdown by now if I had been 'waiting' to hear if i booked it or not.

What I'm trying to get at here is that you can do your best auditions and not book and do a not so great one and book, so your main goals should be to just do good auditions. What you look like and sound like is more or less out of your control and in particular so is what other people look and sound like, so it just may boil down to looks, and what are good looks for one project is downright ugly in another , so do not worry about booking. Worry about performing!

Just in case you were wondering, here are a few of the determinants of a booking that you do not have control over.

  1. Appearance – Depending on who they choose for the other roles, your look simply might not work. I have red hair so imagine if they cast all redheads. That would be an entirely different feel (more Steven King).
  2. Personal Preferences – Sometimes, the tastes of the people doing the hire lean a different way. You could do the best audition objectively, but art / entertainment is a completely subjective process and 'beauty' is in the eye of the beholder. Preference is something no one is ever going to discuss so you will never know if that is the reason you do not book. Imagine, “You were the best auditioner, but we just like someone else better”.
  3. Politics – Hiring decisions can boil down to favors / nepotism / backscratching and so-on. These things are behind the scenes but I guarantee you will lose and gain many jobs in your life because of them.
  4. Role Unavailability – I have read about people being cast in a role that I auditioned for before I even had the audition. Sometimes the decision has already been made or an offer is out and they are seeing people 'just in case'.

Good luck and be a hacktor.

The Globalization Of Entertainment – The Global Artist Career – Part 2

You'd best believe that the air up there is very rarefied indeed. In spite of hearing all your life the estimation of so many well known performers careers identified as “international stardom”, somewhat of a recapitulation is in order. Who actually determines the parameters identifying the circumstances or achievements that must be met to assign…

You'd best believe that the air up there is very rarefied indeed. In spite of hearing all your life the estimation of so many well known performers careers identified as “international stardom”, somewhat of a recapitulation is in order. Who actually determines the parameters identifying the circumstances or achievements that must be met to assign such grand and lofty accolades to any one individuals accomplishes? Who is that appointed “king (or queen) who decrees that a particular artists has indeed reached a place that bestows upon them the ultimate recognition, undying love and devotion of countless human beings through the world? Who is that measures, in such precise detail the level of admiration, commercial sales, tragic acts of devotion or brilliant acts of unselfish enacted in their name that would seem to me to be a minimal way to really acquire some true sense of the value of someone destined to be shaved with this kind notice?

Who Really? I submit to you there is no such person, that the bluster and huff attributed to all this generally misstatement of facts has simply been for the most part, a not to cleverly disguised PR ploy that has allowed silver tanged hucksters to play themselves into position to extract unimaginable bounties of booty from the gullible, the naive and the “agendized” media executive with to much time and money on his hands. That is until now. Remember, we're talking about performing artists here not Mother Theresa. We often find so many of these types of people to be selfish, when ego is involved selfishly unkind and often removed from contact with the more common folk who walk the earth among them. Of course there are a few exceptions, but for the most part the stereotype just described holds true more often than not. What anyone does with the resources they acquire is their business and their business alone. Just do not be looking for the world to love you all over when the only opportunity you take to spread love, ease suffering is when cameras are rolling and large crowds are around to sing your praise.

Many times in casual conversation with whom I assume to be average consumers I am often excoriated when I endeavor to explain to them that because they hear about an artist here in America all over the media they should not assume that to mean that an equivalent amount of coverage is extended to that same performer in countries all around the world. Hell some performers are not even broadly covered in other states let alone the 250+ countries and thousands of cities all around the world. Some get downright indignant with me about my concluding as if I have not the slightest clue of what I'm talking about. Not withstanding the fact that i have had the occasion to visit, live and work in different countries or that I now work with talent from different countries from all around the world, they just really have no clue at all that many nations have their own ” superstars “they admire. Of course there are probably a few exceptions but this will be nothing compared to what is about to happen if the very near future.

According to Professor Deborah Glik / UCLA – Community Health Sciences at the University of California at Los Angeles (UCLA) just about 112 years ago the earth's population was about 2 billion people. That has increased to more than twice that number in this short span to more than over 6 billion people (closer to 7 billion). Because communications globally have improved so unimaginably during this period the ability to truly shape the career of a truly international global superstar is well within our reach unequivocally, unquestionably. The life and death of one of the very rare, definitively global, international talents ever – Michael Jackson signified two things, the end of a dynamically changing dimension of life, the beginning of the new uncharted waters of a future no one cares to tell us how we landed in.